Wednesday, November 7, 2018

The 5th Sin: The Jacetice League


Sadly the image in the middle of this card is lost to time, so I need to stick with this.


As you might remember, in my previous article, (sorry for the delay btw, life happens), I had an amazing quote by none other than Jesper Myrfors who talked about IP's, and it versus art. I won't re-post the quote here, instead it made a point about Magic, and the story around it.

In the beginning, there was literally no story, none at all, involving MtG. Names were given vague definitions, idea's were simply thrown around, combined with vague flavor texts, it was literally a large part up to the player to fill in the Holes. What is Serra? Is Samite Healers doctors without borders? Does Urza have two heads, or two sets of eyes, or is he simply wise enough to change his glasses as needed? What's the rest of Benalish society like? In fact, it's first Expansion 'Arabian Nights' didn't have a story attached to it at all, instead borrowing from familiar sources, Garfield's wedding party, and 1001 Arabian Nights. Legends almost went the same route, with real world legends being the cards you'd summon (that was scrapped relatively early though). In fact, the first expansions with a story was Antiquities, The Dark, and Fallen Empires, each having a 'archeological' feel to them, with elaborate flavor text in the past tense, as if you were reading and seeing a piece of time.

By the mid-90's this had largely changed. It was decided that money was in, well, Intellectual Properties, and while the Magic Comics were varied in both quality and interest, the story behind them were scrapped for the Weatherlight crew.

The Weatherlight Crew is largely a deconstruction of established archetype's (Gerrard being an anti-hero, the goblin is actually smart) or cliche's (Minotaur is an asshole brute, cat girl is cat girl, boastful wizard, ect), however, they are memorable in their own right, and should be credited where credit is due.

According to sources, Mark Rosewater, and Michael Ryan, wrote the initial concept for the crew, as well as helped flesh out their personalities and backstories. Then 'something' happened, what exactly that was is a mystery, and remains so, since he has largely been tight lipped about it.

However some changes from the main story that have been leaked over the years include:

  • The rathi Portal was suppose to time travel, with an Ancient Ertai sitting there, instead of getting the badass Phyrexian Opportunist Ertai.

  • Mirri was going to eventually win over Gerrard, and they'd have a half breed child (rumor), Mirri wasn't suppose to die.

  • Crovax was going to get a redemption arch (as depicted in Planar Chaos), instead of becoming one of the biggest badass's in the Weatherlight Saga, and pre-teen's self favorite token sweeper.
  • Phyrexia and Urza had nothing to do w/ Gerrard and the over-arching story of the Weatherlight. Infact, Gerrard was the 'Korvecdal', the uniter of the three human tribes on Rath against Volrath.
  • Volrath would turn into Tahngarth, leaving him tortured in Rath
  • Gerrard's often forgotten Hourglass Pendant played a more important role in his story.

There is an unconfirmed rumor that's sat in the back of the Internet for well over a decade now that The Weatherlight is a ripoff of 'Pirates of the Dark Sea', a old TRS cartoon. 

I also found this interesting piece of trivia: 
"The first times the name Weatherlight appeared in flavor text in Mirage, it was translated as "Brise légère" (Light breeze). When the ship became the main focus of the story in the Weatherlight expansion, the translators found this name was too joyful for the dark mood of the plotline and chose to rename it "Aquilon" (Boreal wind). They justified the change by adding a special flavor text to the french version of Jabari's Banner in which Gerrard explain he made the change when he became captain."

Ironically according to nautical superstition, changing the name of a ship is bad luck, which might explain alot.

However, after several years, this story finally raps up, with an apocalyptic war between two (and a half) planes, Urza vs Yawgmoth, and in my humble opinion, as far as stories go, it was awesome. Then Planeswalkers in stories took a back seat.

You had a setting of post-apocalyptic Barbarians, sci-fi metal plane, tribal race wars, fantasy Courasant, and not-Japan. These were better or worse, depending on opinions. Then came Time Spiral. In a goal to win back older players, it was the 'nostalgia' expansion, and Planeswalkers came back. The mechanic concept was simple, make a lot of throw backs to fan favorite old cards from yesteryear, include legends of loved characters who didn't get love in their own time (I was delighted to finally get a Kaervek and Tivadar card). However, they made the Planeswalkers, each and everyone of them, over powered Mary Sue's, each as powerful as Urza Planeswalker (who in the old lore was suppose to be the most powerful Planeswalker), as well as bring back Nicol Bolas. Then they had the 'Mending' an act that would  change the nature of the 'spark' bringing them back to the powerlevel they had as of the Invasion block.

This was done to introduce what commonly was called the Brady Bunch, named for the creator of them, Brady Dummermuth. Planescrawlers were another common name thrown. They were extremely unpopular, first for their uninteresting and stereotypical designs, but also because this introduced with it, a new card type, Planeswalker cards.

The 'Lorwyn 5'.


For the first time, since the games creation, Planeswalkers were represented clearly in cardboard, sure their was that cycle of Enchantments, and Dakkon Blackblade, but these were, more like mini-players then enchantments and creatures, and for a few years, even a 'bad' planeswalker could win you the game over sheer attrition.


With little being printed to deal with them directly (the two common ones being O-Ring and Hexmage), the only way was to swing, or burn directly at them, or if you were in blue, counter them, they disrupted the frail balance of the game between control, aggro, and combo, shattering the base entirely. It's hard to overstate how powerful these cards are, especially if you never played with them before. Basically, imagine them as enchantments that can take combat damage for you, guarantee you small free spells each turn, and generate card advantage each turn simply by existing.

This spicy boi destroyed an entire format.


However, they also removed the player, the 'planeswalker' from the equation entirely, granted not right away, that came later.

The Jacetice League didn't even exist under Brady, instead they were scheming and conflicting characters, each with flaws, ambition, and  goals unique to themselves. However, after a certain incident, Dummermouth was fired, and umm.... I'll just post the image.



"Rid me of this curse, witch, or die with me."
—Garruk Wildspeaker


You see, Garruk had a back story, where he encountered the black planeswalker Liliana (she originally wasn't associated as a necromancer, but a generic power at any cost black planeswalker). She on her own mission to get out of a contract with numerous demons for eternal youth, found a powerful artifact called 'the chain veil', and in their encounter, curses Garruk, so he relentlessly hunts her through the plane, assuming that if he kills her, the curse will be lifted.

This even had a companion piece:

"I've seen corpses prettier than you, beastmage."
—Liliana Vess
However, at this time (2012) there was a strange influx of new players, as a series of video games and focused marketing managed to make ground among a new generation of gamers who might have overlooked it. The above image of Garruk choking Liliana 'triggered' certain games, and they complained.

"Regarding Triumph of Ferocity: Wizards and I apologize for the upsetting situation related to card imagery. In light of the community conversation it can clearly be viewed in a way that is in direct opposition the brand image we strive to maintain. This was absolutely not our intent, but intentions don’t override the real emotional reactions our fans have. While the bigger story provides context, individual cards are seen in isolation. That is the standard each card needs to live up to. In hindsight this story point could have been depicted in a less real-world related and emotionally charged way. We will take this as a learning opportunity and strive to do better in the future."--Elaine Chase, Brand Director for Magic: the Gathering.

This controversy would sadly get Dummermuths 'position terminated', as well as a major retcon of the characters and backstories known as 'Magic Origins'. Although all the characters had major retcon's, the most sited and controversial is none other than Nissa. 

Originally, Nissa was an elf-supremist, who had a 'my shit don't stink attitude', who simply allied with a vampire because the alternative was death. In the Zendikar book, she largely berates him, and flaunts how much better she is, which brings another point, about Nahiri, and stolen IP, but I'll leave that for another time. 

Now Nissa is a generic elf druid, who hugs trees and loves life. 

A parody I made of the whole ordeal.

I could easily talk about all their changes in greater detail, but I'd feel that the usual group of people that read these wouldn't be interested, or already know this.

This though, changed the entire story, and instead of scheming glorified sorcerers, we got coffee shop hang outs, lesbian moments, and a plot we drag through, as Jace forms the 'Gatewatch', a justice league of Superhero.... I mean Planeswalkers, and how they protect Domini....I mean the Multiverse from Galac... I mean Nicol Bolas. Basically the idea was that they could make them a super hero team to coast on the success of the Marvel Cinematic Universe. They came everywhere. On literally everything, no seriously. 

Cards that check for the Walker (in theme decks, but standard legal)



How about one in regular packs?


Jace even appears on certain Ixalan basic lands
So what happened to the player, where do you tie into this teen drama? 

You don't.

If they could, they'd take the concept of you being part of the game out of the game entirely, and have it play more akin to Commander, but they honestly can't do that, even if they wanted to.

Did you know one of my favorite art pieces is Personal Incarnation, because it depicts the player? I have a long standing fan theory that the shrouded figure in the back of Orcish Mechanics is the player as well. 

https://cdn.pucatrade.com/cards/crops/sm/13634.jpg 


This art, besides for it's cartoony nature, would never be featured because of the depiction of the 'player'.  Instead, this art piece would feature a prominent character, or even a Planeswalker in the background. It would have some 'wity' flavor text of an action movie one liner. 

The Jacetice league was the final stab in the back for the flavor of MtG, and while its crimes include the pandering to a certain section of the player base (which I won't ever get into), or it's slow removal of Legendary Creatures being special (another article), it's ultimately how nothing else matters but the story, and it's continuation. 


Join us next time, when we will talk about the 6th sin, the casualization of MtG.  From Banding to the Planeswalker rule change. 




2 comments:

  1. "However, they made the Planeswalkers, each and everyone of them, over powered Mary Sue's, each as powerful as Urza Planeswalker (who in the old lore was suppose to be the most powerful Planeswalker), as well as bring back Nicol Bolas. Then they had the 'Mending' an act that would change the nature of the 'spark' bringing them back to the power level they had as of the Invasion block." This really resonated with me, as when I was reading the TIme Spiral Block novels all I could think of was that they made Plansewalkers horribly overpowered just so they had an excuse to do the Mending (I should clarify I read these novels long after they were written). For me, the most egregious example of that was the fight between Leshrac and Nicol Bolas: it just went on, and on, and on, with one guy doing something cataclysmic, then the other one running away and doing something cataclysmic, and so on. It's like they purposefully wrote those books (well, those sections of them at least) like a 10 year old just so they could say "No one liked oldwalkers, they thought they didn't make good stories."

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    1. You honestly have no idea, back on the Mothership, we use to complain about that all the time.

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